Skip to content

RASHAADNEWSOME

  • OBJECT-BASED WORK
    • COLLAGE / SCULPTURE
      • SELECTED WORKS 2023
      • SELECTED WORKS 2021/2022
      • SELECTED WORKS 2019/2020
      • SELECTED WORKS 2017
      • SELECTED WORKS 2016
      • SELECTED WORKS 2014
      • SELECTED WORKS 2013
      • SELECTED WORKS 2011/2012
      • SELECTED WORKS 2010
      • SELECTED WORKS 2009
    • EDITIONS
      • FITTED CROWN
      • FIVESFMOMA PRINTS
  • VIDEO INSTALLATIONS
    • WRAPPED, TIED, AND TANGLED
    • PHANTASM
    • STOP PLAYING IN MY FACE
    • KING OF ARMS
    • ICON
    • KNOT
    • THE CONDUCTOR
    • HERALD
    • PURSUIVANT
    • UNTITLED (NEW WAY)
    • UNTITLED
    • SHADE COMPOSITIONS 2006
    • ELYSIAN FIELDS
  • PERFORMANCE
    • BLACK MAGIC
    • SHADE COMPOSITIONS (PITTSBURGH)
    • SHADE COMPOSITIONS (DETROIT)
    • RUNNING
    • FIVE SFMOMA
    • KING OF ARMS MIAMI MASS PROCESSIONAL PERFORMANCE
    • FIVE (THE DRAWING CENTER)
    • SHADE COMPOSITIONS (SFMOMA)
    • SHADE COMPOSITIONS (GRAZ AUSTRIA)
    • FIVE HONG KONG
    • SHADE COMPOSITIONS (MOSCOW RUSSIA)
    • FIVE (THE WHITNEY MUSEUM)
    • SHADE COMPOSITION 2009
    • SHADE COMPOSITION 2008
    • SHADE COMPOSITION 2007
    • SHADE COMPOSITION 2005
    • SHADE COMPOSITION SCREEN TESTS 2005-ONGOING
  • FILMS
    • HANDS PERFORMANCE
    • BUILD OR DESTROY
    • ASSEMBLY
    • YOUNG GIFTED & BLACK
    • BEING (THE DIGITAL GRIOT)
  • BEING THE DIGITAL GRIOT
  • SPECIAL PROJECTS
    • ASSEMBLY
    • SELF INVENTIONS
    • IN THE ABSENCE OF EVIDENCE, WE CREATE STORIES
    • KING OF ARMS ART BALL ⇗
  • SHOP ⇗
  • ABOUT
  • BOOKS / RELEVANT TEXTS & MEDIA
  • NEWS
  • CONTACT
    • CONTACT
    • SOCIAL

Assembly is the CRITIC’S PICK! in the New York Times

February 24, 2022February 2, 2023

Click here to read the story!